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Rookery Thorn, blocks cut 1878 · 21″ repeat · drawn here from the same 9 passes the price below is calculated from

9 blocks · 9 passes · 9 drying days

Nine blocks, nine passes, and a price you can add up yourself.

One block is cut by hand for every colour. Every block is a separate pass over the bench, and every pass has to dry before the next one goes down. That is the whole of why this costs what it costs.

Pulled apart

Each tile is the build so far, not the block on its own. Pass six only means anything on top of one through five — and there is a drying day between each of them.

  1. 01Ground wash

    The flat field the rest sits on

  2. 02Bramble

    Main stems, the structure of the repeat

  3. 03Verdigris

    Leaf bodies

  4. 04Deep verdigris

    Leaf shadow, offset a hair from pass three

  5. 05Madder

    The hips

  6. 06Madder deep

    Hip shading

  7. 07Bone

    Thorn highlights

  8. 08Bark

    Outline, laid last but one

  9. 09Gloss size

    Sealing pass, no pigment

What a roll costs

No enquire-for-pricing. The bench charge is the same on every roll and the passes are counted off the pattern, so the sum is one a customer can check.

How the price of one roll of Rookery Thorn is calculated
Bench charge, every roll$52
9 passes at $34$306
One roll, 20.5″ × 11′$358

Everything on the bench

  • Rookery Thorn

    9 passes · 9 drying days

    $358

  • Hollow Stripe

    2 passes · 2 drying days

    $120

  • Pomona Border

    5 passes · 5 drying days

    $222

Minimum 3 rolls. Below three rolls the bench setup costs more than the paper. If you need less than that — a patch on a stair, a single panel — say so and we will tell you what it would really cost rather than sending you away.

A dense pile of hand-carved wooden printing blocks, each face cut with a different motif — leaves, paisleys, animals and rosettes.
Illustrative — hand-carved printing blocks, not the Rookery archive.

1,420 blocks, oldest cut 1846

A block is pear wood, cut in reverse, and it lasts about forty thousand impressions before the fine work goes soft. We re-cut from a surviving fragment when a pattern comes back missing a colour — which is most restoration work.

Lead time is 7 weeks on a nine-pass paper. From approved strike-off to the roll leaving the bench, on a nine-pass paper. A two-pass paper is about three weeks. The drying rack is the constraint, not the queue.

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